讀後心得

Taiwanese designer Zhang Qingping emphasizes "solving problems with design, rather than creating new problems." He showcases the humanistic qualities of space through an aesthetic that blends Eastern and Western elements. As the first Taiwanese interior designer to receive the German Red Dot Gold Award, he transforms intangible values into tangible experiences in his designs, integrating local characteristics with modern design vocabulary. Zhang Qingping's design philosophy highlights the profound relationship between people and space, dedicated to promoting Eastern aesthetics while realizing montage space aesthetics in his works, cleverly combining Eastern and Western cultures. His latest works, such as "Daming Dafang" and "Heart Temple on the Rooftop," have gained international acclaim, reflecting his dedication and pursuit in design. Looking ahead, he views change as both a challenge and an opportunity, maintaining a steady forward momentum.

"Use design to solve problems, not to create new ones." Taiwanese designer Zhang Qingping showcases the beauty of the fusion of Eastern and Western cultures, reflecting the humanistic quality and cultivation of space. He is the founder of Tian Fang Interior Design and the first Taiwanese interior designer to receive the highest honor of the German Red Dot Interior Design "Red Dot Gold Award" (Best of the Best), while also setting the record for the only designer from Taiwan to be nominated continuously for 12 years for the "British Andrew Martin Interior Design Awards." Zhang Qingping's design philosophy deeply explores the relationship between space and users, transforming intangible values into concrete experiences to create profoundly touching unique spaces. As a Chinese designer, he understands the importance of cultural exchange between the East and the West, dedicating himself to bringing Eastern aesthetics to the international stage while insisting on integrating local characteristics into modern design. His work realizes a modern interpretation of ancient wisdom, the Eastern transformation of Western design, and an international perspective combining Chinese and Western elements, pioneering a new realm of spiritual luxury through contemporary design techniques.

How did you become an interior designer? What experiences did you have before becoming an interior designer?

Before becoming an interior design professional, I had no special experiences to share. I have been interested in aesthetics since childhood, so during my studies, I chose a major in aesthetics and design, and after graduation, I entered the field of interior design.

What are your design principles? How have they changed over your 45 years in design?

We have always adhered to "use design to solve problems, not to create new ones." We continuously explore new materials: digital, handmade, artistic, and natural sensations, and contemplate how to localize Chinese culture with the global fusion of East and West, realizing new relationships between people, space, and nature.

What does the fusion of Eastern and Western cultures mean to you? How do you present this in your work?

To me, the fusion of Eastern and Western cultures means that the designed space makes Eastern people look like Westerners and Western people look like Easterners. Mature individuals feel nostalgic, while younger people find it fashionable. The specific expression is a montage of spatial aesthetics, using a "Simple Gorgeous" design style to interpret new Eastern humanistic sentiments. Montage is a form of aesthetic integration, focusing on deep experiences of the mind, and showcasing contemporary Eastern aesthetics through the combination of rough and refined materials.

What design project are you most proud of in recent years?

Our design projects have received profound recognition from clients, such as residential spaces, reception clubs, religious and medical spaces. Designs like "Daming Dafa" and "Heart Temple on the Roof" have also received international award recognition.

Is there a secret to achieving outstanding interior design projects?

There are no secrets, only heartfelt effort. Design requires inspiration; movies and travel are essential sources of aesthetic supplement. I love to observe everything I encounter during my travels, as these experiences can spark my creative inspiration.

Looking ahead to 2025, what new design or development directions do you foresee?

I view the challenges and opportunities ahead as motivation to move forward and look forward to responding flexibly to changes while maintaining steady growth.